h~0/m~e

marg/in all's* ave tye w/e

a-rt-i-f/act-make the c(i)-t(y)-e-t(r)act-in-n-y/e-

sh(y)ield~(in deed) / t~h0 ax is t~free ly e / 2 the p.r.0 se~e/d ay T able a.d.e~w/(h)ey~e & be a.d.e si`(r)eve n(d) ate f/f' serial la t~e 0n e par~ta ke(ye)p~(L)ate

g-it math inks

e very e 0n/e w/(h)0n~e 0's awn ew/e d/awn u~p 0/nt'~s e. g.0 all e d0 e

for eve r y e0's awn and ew/e daw~n l0~ a.m. becomes t' lawn u~p0/n an/d's~awe ll an/d's~t/a.~(n)d. e c0(h0)st~p.(r.i/c/e)d f~an/g f~e/e de.n'~ s/he'~d~en'sel~lye r(e)a.d. eve/in 2 in(k) t(h)in~e (hemia)h(a.)d.(e)g~(r)ave t/hen (h'0ut a re 0rder)n' ave

the pers0/n(e) all c~e very e t/hing e ve/in k n0 t hr u e~ 0's 0 pen ly e t0/0 the p.r.0 se ed's 0w/e n~d0/h~

what's 0p hades

p-hades didn't have the rig-t- / 2 h/ave ta t(h)ink tw/i~se(e) / the s~lee p~tight cap a city in k night ly e

re t in(e)a.ll n~0w/e rent in all be(e)s~p0 ken t'as/s and be came tacit(erse) last ask 2 bec(k) 0ne in re verse sus and be cal(l)m i/n 0/ne e un s~p0 ken (t)d' s~t 0p an/d e ca.d. 0 pen d ate d~e w/e b/r0t hr u e ven 0n t~0(0) e~w/00 (d)h/~ave n u/e in a ne/cessary e c0/m(e) pass ta~g e/w/e' d0t'h designated tit/ter c0/st a l(l)0 t

0 ver/t i c/all an/d the p.r.0 duct g/0t p~a.(i)d.~0 ver/t an/d 0' ver/t a ga~in/n e w/0nt an~s pi r~i/t~e f(l)a.m.e~as/say'es b/rain e t0/ne p~lain d~ t0/0 the l~l aye A/s t ere. g.g i/n c0me pass't~ink habi~tua~ll ye thin k

in a way nan can b re a.d. bi t(h)e circumference of your e h.ea.d. 0 ven

fi/t 0/me = fi. d.e is/m~e nature all(y) ea.d. ea.d.e

e* ta

e very e t hing t~h~anks

p-hades gif-s-t/anks-0w/n-e-w/e-l/l-0cket-ank~h-0c-k-i/t-a-w/-aye-

hade-s-tank-my 0ut ran(s) k ew/e pre ten d'ere rin g 0t/g~a.m.~e

si` c/an(d) fi/n d

w/hat more ad/0 you w/0n(')t given d

check your di vi s~i 0n e f0r a w/(h)eall~thy e r/end~it~i/0n e tu` be t/he w/are all

s0w/ t'hus split in t/i~m/e 0n T Line

watt a(i)re & 0 i'l(le) d0 mi/x w/s~0'le ft a w/pre sense

T/r(u)t~h* = e/ta c0mp(l)ea.t a:

Truth: e f/(r)a.m.e, i made prior to knowing about 'ephraim' because i based the idea firstly on frame work & fret work being roughly the sa.m.e net 2 worth, then on an aries/ra.m.~pre dating a while d 'h'and i's t00t h's t/and i still do not know a lot a bout religion's cup, b.c. "religion" per se are not my c/up of tea t0/day t & therefore i thought i should at least inform my self of what i am pre sent ing, to knowledge ably e're lay t by knowing the fore and aft culturally f0/r/m/e~ and that is when i learned the definition of the name w/certainty = double fruitfullness inc~(g)reasing sup p~l(e s)um e

with due process, my web design software functionally froze, and i didn't know the last time i 'saved', so i decided to upload the page to be directionally read with intention among the mess age w/le due proces see n (0nt g0ing) p0 0ping like an elephant all 0ver the place (t)0 c/ar(e)ry the re~lief al~l0 t0 m(e)use e* going to s~0/rt rue st l00 kin/g lint 0 w/hit~ u`(e) s~pan(i)s~h ip~up

it is my un derstanding the 'hittites' were 'black' per h~aps as the ye s-p/ad-e- b-ac-k- e-vain-s/t-a(in)-d's-ent-a-g-r.-e/a.-t-t/ac-h-e w/i'll (e)ye b/b~ye w/(h)inn~ven/t i 0n e/e see c~ret 's~0/n and' s~0/m' s~0/(w)n~

it w/ould' se-am-the sub-pr-im-e-m(e)-m/0ne-ye-l-l-end-er- is closing every e rea.d. 0/0re t00-the-pre-t-en/d-ere-

w/(h)a.d. verb/i~ll 0c~cure rent~c (t) ye

st/e~w/e b~r0t/h~e l~le ~a.ve n a c~r/0 s(e/e)si/n~g'~s(h)e. g.r0at (u`)p~0nt 0(nt)p

t~hus si` am(v)p(L~ac~e) b/be c(h)0/m~e tu` b ye & b/u/y ~e w/(h)it 0/f/f i c~e ve/r~ye t (h)in~ge w/(h)ea.r~e t/wh0~u/t (h)~ere p l~ye t (e)a.re t0/c~ar(e)r~ye t (h) r u e

h~(a).d.(e) t0/0 c/ar~e 2 Spa(i)n e w/h0~u/(se)the "pain" the grewe plainly on the p~lain's t~ew/e & ew/(h)eaven (t)d's 2 x t0/0 in vi te t hr u e st ew/e b/r0~se th 0/rn a(t)ch ue~s/hi' ~te ye~t a(t)u~p an/d tau w/hup it/he t/hat e t~w/(h)eigh t~a/ke a t/au s-h-ap-e- w/e a t(a)u b(r)ake~s e X p0's~e d(it) at etau/your~0ne Miss Take n/t/ re lay T ua gain's~t/e ll ar se g. again

w the tribe of e frame you came sto(o)le the m'0le w/h0(0)ley es' 0l~e a.d. 0 w/ay e

w/at~t a(i)re s~pen tu`g a w/hey~e tu`b/rain d/0n e t~a p/lan~e~s~s~

i hate to say it, however the "x"am-pull -eve-r-you-re-lay-t-makes a more-on-ha-bit-2-d-ate-

st/e~w/e b~r0t/h~e l~le ~a.ve n a c~r/0 s(e/e)si/n~g'~s(h)e. g.r0at (u`)p~0nt i~n/c~0/m (v) p(l)ea.t~e 2 t(h)ink in c0/re~p0/re~at/e de(a)t's~up per e ve/r~ye ve/n a.(i)m.e's~i/nk'~sa.m.e b/be~le~a.fi/n~g a.m.(b)e.g.inning f(l)a.m.e f/0/u/r/e~ f/r~a.m.~e in~k 's~(hake)and'~s0/m~a ven'~s~(h)/0~re s/t~0r(e)r~ye

si` lent ly e she. g. ave s/h~ap e c0mp~laining tg i've~r/t h(r) u e. g.if~t an eve r end's~i e/ve n against the w/(h)ind e/b t i'm e fxf/r~.a.(i)m.e a.d.e~b/t~(h)ee ;) n0'se~ed ye w/(h)ea.t e ye t.ea.(ch)t

p0-lice we will tall k ab0ut t~hat -e- s~l0ven ly e.g.(l)0ve i/n a.d.vance~0nt p0nt m0nt d~0nt c~0nt s~0nt at 0 pen ly e

L*end b~end 0n(')t me nd e/b (t)u`

hea~v er(e)b i/n (e) my T i'm e a.d.equate ly e re st ate d~

w/(-h-)rat(-h-)e w/-(h)at/t-e-ver-t-per-p0-se-e-d- ew/e n0/0n e p(r.0/0f)f0~und 0ve (n)t's~um

hea~v er(e)b i/n (e) my t i'm e

und I/P it/he w/are a/ft are

you can't w/(h)~ip without m0/di/fi/re in k/n*i/t : double cackle crisp and tackle : the brave tw/h0 se/e n~0se very e t (h)ing e w/0nt i'm e ve/(i)n tw/h0 gc~Lim(b)e at g/race saye as t0/0 the x 2 f/ace~s e. g. 0' sea t

t/rash i can re lay t 0/ne faux-0n e My Miss Take

hic this 2d~ate = h/ac/k (city) sea~t/ye t/i'm in the may/ke a. 0/rt A st a/k~e w/(H)e re p as(s) t f/ac~e 0/f/f e~d~e (n*) a.d. e/b t~raise g.ad f ly e f0ra.m.a.d.e by e t~my sel~l fi/s h ly e s/pi~ke in e mer~rye me/as/u/re m~aid e f/(e)at~e

k ein e in k/n0/w/~(h)0ne t i'm e

det h.ea.d.ef

an~d e/b t put t/0 r~e st 0r/e in g

e ve/n tw/h0 r/ing 0/ d~ear e m0~0/r~ing'~s

ye pub~lic an/d pub~l/i~ci~t/ye

p(l~ace)u/b~L(0ve)i~c 2 c~e

don't tempt me you "whore" she said t0/0 bi~te w/(h)e re "2" can be/e found t (h)r u e

c0/re p(L)us e.g. 0 a.d. 0~0/r (e)a. d. f/0re b/0d ye s/c0~re

i f0ra

n~0w/e ye

l~l0~b/by e til't h e.g. r0und

l~l0 b/by e til't h e.g. r0und & vi'l~l ag/e

t/0uch e` a.d./0wn ~

si`x is t00 the re si`s~t/e ye t~k(n)0we~ l~ling lint l0t un till e tu`~p

lus +

i f0ra

n~0w/e ye the. c.0n~sum/e/r ge tru(e)st ump an/d g r/0 w/h~up t'0(0)le l0!~0 k/up*

f0r(u)m e X change the steady st/ate inside 0f ew/e na.m.e h~0p~en ly e f/r~a.m./e w/(h)av~e A. vi/ewe t00t~h u~e

retain' sus~tain 0 b~i'l~l i t~ye t0/e

p.r.0p~e r assibilati0n est u`d ye hi's's t (h)r u e &

te l~l en/t p.r.0d/uce 2 get a g00se. g. 0 all den' s(t)aid f0re i(g)n e'ye L~aye D aye : deux = s~he w/as (p)f i/t 2 re p(r)0 de u X as a. m.at/ter a f(t) act 0(0) g.ave in 0ne mem b/ran~e : me ye t re~e(ye f~i/g) ist k/n0/t c0nsci0us of your scene-in "s-in" sup-i/n-e-re-gen-e-rati0n -a-vain l-i'm-b-cap-as/s(i)s-t-or-e-ye w/t 's~p.r.ung-0ut-ab-bot-d-ate-di's-h- i can 0/n l ye h/0p/e th' sir c0me size d e/b t'h-et-c- with 0 me w/hat ar'e in k 2

a f/0r(u)m f/0re c0n~sume~r's e .g. 0 /

d~0/w~e in k/n0/w~e

wen with f~r/i end um~limited in capacity e vi si`t~ed e nu de growth i~n h~i/bited t!h0~rn a r'0se

she put the "rn"a position with re supposition e ye on e/a the "a-hem" it didn't r~ea.d. na (h/d) fed e/b tu`be the le h/em en fe/e d.en t~i c/al~ly e in~s t/e a.d.e re a.d.'s~aid's~ just b.c. a.(i)m.e~ me sum mit p.r.0 fan~(g)e ll~aid aye.~ g.g. w/ha th fuck that is s0/n "per-p/ose-2-due-t-hr-u-d-e-vain-t-& put to/o-marrow- 0n re p0/se paid p(l)ate n 0ver-t-i'me-g-ave- "0" re lay T act u ally e.g.g reed~illy ere laid e~ at/e in pre sent c0/m~pan~ye f/ret an/d f/ace h~at~h em a.(i)d.e. g. gi/n~st/ate 2 p(l)ate n p(l)ate t (h)r u e st e/we' de w/(h)ea.t ye w/e l~l 0/v(i)e w/e tu`de

i. d.0es 0nt pull punches 0ught

eve 0n till se.g. 0/d~raw/(h)er e f0/r/t/h/e m(e)0n/e~ye r~0~r c0/m part men(')t f/0r~e val~u~ables~s at~h~an d~ye w/(h)~e/e X seeding l~e/e

s~0ak in d~ew/(h)en t'w/(h)0t~a(i)r(e)~a.m. mis~s ta/ke~n fi/(b~e)re b/ran/d b~r0t hup re t/en~d's

like pulling teeth, the puller p/lucked the ac~t i0n e f/0/u/r(e)see (s)natch and hat~c/h e X i/t ap pen d

s(h)e n ew/e (h)is k/n0w/es by t(h)e b/at ~t le (h)e ch0(0)'s eth t0/ne in~k~g 0 all (A.D.) 0v(i)e w/(h)ew/(e) tw/h0 c~hew/es i/t e(a)/c h~as' s0/n e in st/e ad ye p/ass eth 0ne & s0/n's~0ng e tu` de' s0/m e 0n e~ ye t(h0)u a l~l a re a.d. ye n0w~e w/h~it~s0/d~e.g.g0 A.D.e

und 0ne

old norse code

as far as and U/ne

st r/i've t~f0r a~(i)m~

mean(')t e st ag e

mi/n~e ve r eve n d

c li'm(b)e lea fi/n g*

ti'~me a.d. just fi/n e~

i am mend' said ate tw/it~h's ed ham mer re lay t/h~and e* nice : i had previously sourced *de = deb the first woman judge, however i just found this additional informati 0n t~hat fi/t perfect ly e tu` be lea f i/n g's~a.d. d/it i 0n ~e ally e w/hi~t~0/ne & t(d)0wn + first time i am seeing this deborah f0rmula number as prime ye 0wn, and on e my bd e ve/n s~0we d/0e= quite a birthday pre sent 0/m e a.d.e~

plus, deb0rah is my 0lder sister's name. but was changed in spelling as my mother, bertha rebecca taylor, didn't want it to reflect the bible temp era ment (she) c~am/e & n0 0ne s~aw/e, s~aw/(h)en and e/b th' s~aw/(h)ea.ven t(c)p.r.0 c~L a.(i)m.e ve/in (t)d's~end's~0 ver t 0 ga(i)n/n~ f/r~i end'~s naked t r/i~bu/te saw t0rrey' all a.m.e~nd's just b.c.~an(d)cell e a.ve n t(h)d's~end's~(h)ave n d's~e bu/m t00 t/h in~sigh~(t/a.)d. i/n/n~fe/i~r/0n~e

when I found the de/b (ertha) star t, I thought the 'De' = the 'number' and didn't pursue to see at the time it was a~b~le a f0rmula W/h~ide (i)n g's awn ea. re all a r e/a d ye (g) p/ass e (d)th

she mer r(i)ll(e)ye be d (y)e in et u`(d)h (e)d (t)ge t(d)he (a) r0und ye c~an(d)cel(l) a. m.iss ta/ke (g/g)'s~t/ruck~ e 0's 0/n e m(e)ye p(l)at~e n~0/f/f~e(a) rig.ht~0/ne t i'm~e n0/u g*h t~d0'v~e(a.)n d e/b t(h)en' s0/m e a.d.e~ in re flect~i 0n e.(st)g. ~g/ave in ~ s/t/e~a.d.e b/t h(d) p.r.0~0f/f(r) i/g* ht a. gain np~l/ace ll e pt pr0 se~e de n th' pr0ceed's (t) r~ang e b'0ut the w/idth' r n0se n t i'me db e ll 0w/(h)e m(e)ye s0/n & s0/m s0/n~g's~um an d's~up p/l~e (x/i)t c/up~pet~h dr~un k w/h0 ne/w~e 0'n'e c~ar(r)ie (s)d en

c~l0! sel~l ye w/(h)e~ft (e) fxf r/i~end's~0w/(h)ea.t~g0 all e din e tt e tin~e tt e ff e(c)te w/innings' hinges e X ac~t ly e d~ew/e

f/0re me, the ma's

s~p.r.ea.d.'s going to nevada to g-amble. g.~a.m. b(e)~0/ne miss p0~ke n/t en t a/n~g le

g0 a.d. e with c0 L~0re ye n & k/n0/we~nd' s aye. g. 0/n e w/hat 2

germ~any en/g * L*(0/ve) is~h U s~sigh t miss ta/ke~

ve/in systematically e're mem 'b'aa'~e.r ate f/f~an d' signer e gain s(t) a.m.e fxf~ace

germ~any en/g*L(0/ve tw/h0 c0g ni t0 e/w*e ave n heave n ly e~a.ve (r/b) and be c0n~st 0nt 's~0/n an/d'~s0/wn f/a(i)re f~r/i~en d's~um mit in t0/ne ti'~me all s0w/e (') d c~h0(i)c~e 0

is it a n0un if you didn't make the b/rain /n e ve/in a.m.~e s~s/~av(e) a.lla r.0und e/b t0/d~ay T (h)r u~e *ve/r (ye) t hing e w/e h~u/e ye tu` (d)e

till (t)in (t)de~ed t0 me an/d pre sent c0/m pan~ye

m(e)ye 0/rig/i~n h/as't re c~L*a(i)me~(a.d.' s/ave)~me

Av~e~st/a w/h~ey e & ye/are going to give up those word's if~(t) you haven't m/a.d.e~be(a.)r~th a.d.e ye(A)s(p)st~ruck~age

ye g0/d's p.r.0~c ke t(c)L*a(i)med t hr u e ve/n (') tw/h0 gt~ie w/e

f/rank ly e she s/t/ruck his be l~l h/ave t/g ave t0g ye sup p/l~ein 0g/g(A)i~n/n s(hi)t~rait ye ar'se g r/a.m. 0 de si~eve r~te bra nd b/0n~e ye n0~un/d 0ne in 0 pen s~um e 0n~s0~0w/h0 e0's w/het' st~0/ne' s(h)e g/(h)ave 0's 0/n~ em besi.d.e (t)h~e/m a/ye~ke(y)ep i ta~p hissst (fi/s~t/e) b/i b le t0unge st~e ll and b/0ugh tas w/(sh)ell 0~a.m. t/all s~0we. g.i'v(i)e w/i.d.~th 0/m e~w/e b ar(e) t'ere p/age 0~de l ta p~h0ne ye a.m.0ne (ye) n~0we ll e the sys~tem e n0/de pt~pull e ye heave n(d') s0w~e but/t' l0 (a.)d. e n~g l~is(t)h 0(use/th0)st~ w/hit~(e)g0 all d ang' sign k~n0w~e ll i'm b/u s/he~ll 0(a)t~ g0/d t'a g/r0at ye 0at an/d ye f/r0m~ cur(e)ren/t r~0p~e t is/s~ue (scene n)~ab s'0l(e) ute X t~l 0~0(A*)t e miss pen t~0ut a ha(ve/r*)b~i/t~e w/e ll~00(A/r)t e miss pen ta t (h)r u e c0(h0)st~ing' ~sel~l e x ce~ll ent w/he'll c0/m~e r/0'se a s0/n~net 0/ne c~h~e/w~e b/b0n~e~

even origin knows what hoof raised the roof to proper use & leg t0(e)g~0

and NH's aid ?

h~as/t a w/(h)ave t'a(u)g~ht g/a.m.

it is my birthday, i am L and L i sel today. at work, to de lice, per haps a funny thing to do, pear~0 i work as need ed, there was a woman from california with her husband, and there was an odd familarity, her mannerisms were just like my sister debbie, as well as the way she engaged with her flame, and by the end of our head check, i started to recognize my sister and continued to wear that worth in my head, memory frame, in fact, while i haven't seen my sister for quite a while, on 2 accounts, she is 'dead' and she was out of the house when i was about 7, it was the playfulness and impression that i could take from knowing my sister and put write on the person in front of me, i'm saying i felt like my debbie was hear word for word transparent and replaced with nothing gone missing in that woman's image tonight. kind of a nice 0 men since i also discovered the de/bora~h formula to be spoke n em in my 0wn very l~an/g u age 0de without knowing as i apparently sowed on my own h(ea)d. any way this is what i have to sel today.

by the way, i thought this would be of person all interest, my mother didn't go by her first name, bertha, but her middle, rebecca, and i don't know if she changed it from a biblical spelling or not, however, the family moved from utah to las vegas nevada, where i was born, and then to sparks, and reno. casino country, and the entertainment in the casino, the "big show" was performed by bertha the elephant. my mom went by b.rebecca cook. previously a taylor~e

through out it al, the generations, i think the pa(-i-)n-s- "re" delivered because, there isn't really a g0/d a mong us~t, stands in the way of people being pre sent to day T, and engage for the purpose & even per pose (n0w~e b/0n~e) : the stunning ly e dumb image of having a "son" to re pre sent with your own s0/n 'sense t~a(i)r~e/nt when you are not even 0ne is a polution to each and every s0/n that has 0riginal value in their self to yield enough t a/s t~e/a~c h (2) 0~w/(h)et' s/t~e all an d~ri've t00 th (an)d e. g. 0/d's~leep ye as s~w/h~ea~t a/r~e pre sent in d~r ye t00 the s/pi r/i t as s~lee p in e b/rain d/en new/e' d (h)ey~e in sigh t e ve r~ye d~aye tu de b~0/d y(e) a.p~p.r.~0ve d ate a.b~l e~in be t w/ein t(h)en 0at's~tau (g*h t) 2 see m an/d'~see n basic all ye t/h0u se c~0nt 0nt industries e/e bu/m be's p0 ken (t)d r/e a.c~t i 0n e de law/e~a.re~gardening t (h)r u e 2 day T (in st/ate) D~ate re m ay ke in

st/e a.d.i'lly un s0/n~g tra(i)p~es t pass (t) bu/y e(A)s e the un sun~g-u-ye a/re b0/0t a b~ac/k e'y e~p i/n~ sum m~e(a).r t ~(h)/i'm~e b/b~e l~l (ye) 0ved en's~0/n t c 0nt m 0nt w/ith a.d. 0~u/t a gain~st/e a.d. 0/ver~t p/age dg~r/ew/(h)e t(h)i/c/k'~ s/k~i/n~re c0/g* n~(ye)t~i 0n e ye t (h)r~e a.d. b/rig~ht 0/ne ye th0u s~ea.(k)t fi/n d~and/y e t~p.r. i'm~e a.d. e c/a sT le a.d.e s(c)ent a g/(r)0~at al~la r0und' s a.me as u/r ew/(h)e y~e w/(h)0~und c0/m f~0/rt~(e)a. b/l~ye (A)s(e) th' sum(e)a. l~l a p/p.~r.0~ve in~s0/n~g /r~a vi.d. en0ug(h) 0ve L0~ve'~s (l)0ve n ly e/a~t e a.m. ful~l ye X p0's~e /e d e/b t0/0 2 w/hey~e at e 2 f/r0m s(l)0ve~r~ei g*(ht/e)n s~e.g. ag/reed e/b tu` de~st(e)a.t ed~b/r~i.d.~ge w/(h)0 re t(h)au (s)t~a k~i/n~g (em) c/r~0ne w/h0ne 0n/e st/e a.d.e i/n ap~p/r0ve n/d's t~e w/e t (h)r u e w/e d~yne w/e din/e ve/n (t)d's end's ag/gin(g) en d's/t~rait (h)r u e me~t 0/0 x 2 t (0/e) p.r.0~pe/(a)r~l ye s0/v ere i/g n~ight ie s'w/(h)in~e in fi'ne t~l ye

s(h)e st(r)uck i/t (h)it f0rce~s/ea.b l~ye a. nd e liberate ly e w/(h)it 0/ne's (h) and 0/0r(e) a. w/(h)e~a.p 0n t~m 0nt m~ea. d. 0 w/e~ed en se(e) l~l ye r(e)a.~d aye. g. A i/n/n 0/n e tu`be h~i /n dg~r0w/(h)u~(s/s)e (ye) th 0/m(e) c0/me in/n G'~say e.g. e ma.d.e b/t~h 0/u~s~e (en) t w/(h)ea.lxl t(h)ye re be ll in/g 's w/(h)e(a) ll in g's~t(r)uck'~s(h)at ~her e p.r. i'm~e n/0ugh t i/n t i'm e m 0nt a/in/n'~ si`de~

(e)a.l~l's a w/are in g (l)0ve & w/(h)ea.r~e.

w/ male con ten t 0/b s0le~a.t e

the c/at h~as p/an db~ac/k f0re ward e grati0

the 0t-her-e- = litter really sow piggy (it can't say 'no' definitely s0w) -sow-on-a/t-u-re-buy-&-bye-h/e-a.d e n~0de

ye litter e inn deed your bed be d b ed fi/re in st/e a.~d. g/land & g/l~as~s pen t(a)m e/nd's putter ring' s~ty le a.d. a(i)me. g.r~asp g.lass as p.r.00f an/g t hem a.(i)d. just b.c. & continue 0n~

let's tall k about the de/b the k/in g*ed~w/(h)et let t a(i)re t 0/m e:

I ch0se the DE (e/e/e/e) Di'm/e~n`~si` 0n/e l~le s/s # as it fi/t(s) i/n~g le t0w/(h)a/rd e/b t~0/d~ay e X as~p/e~r/ati0n e tu` be ap. p~ear~0/d~ew/(h)ey~e ve/in a/t 0/m i c~al~l ye

D* d/at(e ta)b~le ye s/t~i'll e a.d. e*

E* ver y/e t hing e

& the dream i ha.d. about people pulling on a rope from the top to be spoke n t(a)ll ye, that didn't have a knot in it, it was as if it were thru a li.d. top and bottom, and t-hey-e- would pull on the rope or string and it would fall thru the plumbum opening, with no k/n0/t attached ~w/(h)eaven (t)d's~0we & if t-hey-e- tried to pull up, with no k/n0/t t-hey-e- ye st i.p.u~ll~at/e~d t-hey-e- couldn't w-ag-on-e-t-heir-e-mo(u)t(h)e ave nb rig ht

t-hey-e can't pull on the w/-h-e ave n (t)d's -and- po-i/n-t-a-fi-n-ge-r-in-g- t-au-t-l-ye-g0-d-e-nature-a.-d.-l-ie-d-0-pen-ly-e-as-e-g-0-ad-in-n-d-us-t-ry-e-

the irony of process (w/)h0l e d's a v(i)ew/e : for some reason, the work on my software is not lending the seen as same 0n my page, s0/0t~h camera t (h)r u e ve/n apparent ru(s)t a gain ~st/e ta(u) re l0 a.d. e/b t'a(u)t's~a.(i)me tp~lain e'ye a st/e a.d.~aye = formally the appearance on this page is do to my soft ware frozen un be'spoken, i took a large picture on my p(l)ate np~age, and over road the software that got bogged down with~(t)in f0~

s~t(r)uck is/st a~rt i/n~g c0mp(l)eat ly e t 0/m e p/lus~st(r)~a w/(e)are b/r~ig*ht in de~ed en's~t(r)uck in re c0/g~ni/t~i 0n e pull 2 s~(e/e)harp l~l ye fxf~all te/re bu i lt w/h0 be ~ta(i)re al~la r0und i/n/n'~si`de l/l ta gr0 at ye A s/t~e a. ll e pt 2 be's~p0 ke n t~aw/e are all t(h)e a. t i'm e d/i vi/n~e

e m.0.~t/her e/n 0/f/f~ac~t c~a/in an/d Abel ly eA. b~l(e) ye w/(h)av(i)e w/e & w/(h)it a w/0nt de m0/n s/t~rai~t abl~e a.d. e/b t (h)r u e de' si` re a.p~pa(i)re f/0re. g.0t~ten (t)d's a w/(h)are in e X (us) is T a/n(d)c~e /e~d le X cell ent a w/(h)ey~e A s/t~and b~r/0 (0)ken db re a.d. e lig. ht (u)c~0ver (t)'s~0 p(d)b/rig~ht en se t(h)au~t e re s~p0/n si` b~le a.d. e/b t0/0 x 2 the p.r.0m i/s~e (2) a. l~l~an/d~0/ve'~s~0w/(h)ea.t in t(h)e se/e d's~l0~ve n l~ye s(h)ave t00 th ea. l~ast(r)ing('s~l)0ve

pre serve (t) f/r0m e c-h-ris-(e)-t-i-an-d-am-nati0n-e-v~en d's~a cr0ss~t(h)e w/at~t a(i)re

p.~r.e ve~n/t f/r0m e's/c~0/re in ga.m.e b/b~ein g~a.m.be t'f/0/r/a.~(i)m.en t's~a.m.e.g.ar(e)men tg~(0/be/h)ave t~ra.d.i/t ~i 0/n(e)~ally e tu` de~t (h)r u e

me~d/rug w/(h)e~a.ven~(t)d's end's and' s~h/0re m~end's el~l0 qu/en/t~l ye t0/0 t(h)/e~m pt hat c/an~s w/(h)ear~t h~and's~0/me w/(h)at~t g~r/an~d bein g a.m.~e a.d.~0 w/ag~0/n~e

technically e'ye use t~h0/u/r ~e. g.ar~d en i/n g~t w/h0 e ve/n~ s0w/e (')d en~eye tu` break the/n~ice ve/n~sum e

in ga~l/e~lat~(e)/i~0n's~ et(h) 0/m e a.d.'~set's~(h)e (')l~l c~0nt r/ac~t u`al~l ye t00 the per si`e/ve n l ye t00 the p.r.0~se ed e/b t~0 e

s(h)e wondered high & low about the ag that never raised the bar/e & be/g~av(i)ew/~e tu` be(h)a.d. 0 pen ly e 2 Sue in'~s/t~e a.d.~e ver y/e t (h)in~ge's~just f/0r/(e)/t/h'~say i/n g i/t (a) m~aye/k~i/t~

eye k~n0~w/e l~l and e(l)ever t'el~l'~se l+l i/n k~n0~t d~w/e'll'~s i`/n k '~s~eth e m/ave~n (t)d's t/e al~l i'v e t /f~a/s(h)i~0n e pi/n e'ye pen~n'ye (t)w/(h)ise 's~up p(y)0ur e s~lee ve~n (t)d's ~ke(y)el~l

d/ar~e b/b 0'le d~en eye f/r0m the~m~iss(i/0n)(are ye)ta/ke in 0/n e c/l~aye ve/(i)n ~(t)d's~a c r/0ss0~w/(h)e(d) i/t u` b/rig~ht c/a~r(t)d's~0we 'd 0 w/e. g.0 al~l e den eye X's~t(all)ye 0n~t i'm e r/r~i/s~e t~h0/u n 0nt 0'0~le pt 0n's~0l~e

f/0're ve r an0/n eve r end'~send's a.d.mira~b~le a.d.'~s ea. t/(r)us~t~0/0 t(h) ea. d/ate w/e 'd~

b~ea.u~t/ye. g.(w/h)~ave in 0 pen (t/en)d's ~ up~p0r(e)t'~s/end's

e*w/(h)e all (the) w/ays~as knew/(h)e t/ ar ew(h0)e t(au)g*ht~g0 all den's miss t~le t0 e ve/n an/d's~

w/(h)0n(e) d'er(e)fxful~l e pt m/i/r/a. d.(e)ye w/(hu)e t'ea.rna l~l ye t(th0u/s/e)ed c/ar(e)r~ye d en s~el l~ye ve/n t~0/0 x 2 n0~a'h' t(h)r~ye d and~ye t(h)r u e & 2~h(r)ue be~c k~0n/e mis's~ta/ke n(t)~0 pen t'd/ate~ye b/b~ye & b/u/y~e n~ew/e speci('se)a.l~l e~a.ve/n t(h/r~e)p.r.i'm~e m0(u)nt~a.m.~arr0w/e b/b~0/n~e c~it~ye t(h0~u/s~e/e)d f/0re~m(e)al~l ye t~mira. c. le an~s w/(h)ea.rt(h)al~la r0und e ve/(i)n a gain'~ s(t)~a/ye fxf t/0n e t f0~0'le d/0wn~(e)~s/t~r~ang~er'e~all~e pt 0/n t~au~g/h~t a bu~s(t)~e.g.~a.m. b~(ew/e l)le 0/f~fe